The use of virtual reality (VR) has been exponentially increasing and due to that many researchers have started to work on developing new VR based social media. For this purpose it is important to have an avatar of the user which look like them to be easily generated by the devices which are accessible, such as mobile phones. In this paper, we propose a novel method of recreating a 3D human face model captured with a phone camera image or video data. The method focuses more on model shape than texture in order to make the face recognizable. We detect 68 facial feature points and use them to separate a face into four regions. For each area the best fitting models are found and are further morphed combined to find the best fitting models for each area. These are then combined and further morphed in order to restore the original facial proportions. We also present a method of texturing the resulting model, where the aforementioned feature points are used to generate a texture for the resulting model.
The article attempts to reach the elements that control the efforts of constituting a specific type of vision of the past, with which — as I believe — we are dealing in the contemporary public discourse about history.
The paper considers the vision of the world and the person of Józef Kazimierz Plebański (1831–1897), the Warsaw historian, one of two Polish students of Leopold von Ranke. In my article, I analyse the essential categories and objects which structure his thinking about reality, such as liberty, Providence, moral laws, state, nation, and humanity. At the end, I try to compare the worldview of Plebański with the worldview of historicism.
The aim of this study is to refl ect on two notions that are often used in contemporary research, relevant to cultural linguistics: linguistic vision of the world and linguistic image of the world. We start with expressing our conviction that it is not a question of two synonymic concepts nor do we believe that they are opposite notions. In our opinion, they are two ideas that refl ect the relationship between the language and culture of a speech community but at different levels and from a different perspective. In this study we will examine the research works that, in recent years, have used both notions in order to expose their advantages. In the fi rst part of our work we will discuss the background of the discipline and then provide the defi nitions of both notions and their uses most signifi cant uses. We will draw on the studies of researchers who study Slavic languages, Spanish and English.
This article is a contribution to the history of underground Polish press in 1939–1945. It is concerned with the main problems discussed in the periodical Jutro Polski. Biuletyn Informacyjny [ Poland’s Tomorrow: Information Bulletin] issued by the Democratic Party — The Rectangle. Published two-three times a week over the period 1940–1942, it informed its readers about the situation at the battle fronts, the latest in international politics and current events in Poland; it also featured articles debating the problem of Poland’s post-war political system.
This article looks at a character of Jakub Frank, the 18th-century Jewish Messianic leader, in Andrzej Żuławski’s book of idiosyncratic essays Moliwda (published in 1994). Żuławski, a controversial fi lm-maker and writer, whose historic musings are usually focused on an individual who embodies the spirit of the age in this case turns his attention to Jakub Frank. Moliwda is typical of the early phase of Żuławski’s writing career characterized by a radically revisionist explorations of the Age of the Enlightenment in search for parallels with the modern age and his own life. Jakub Frank is presented as a trickster, religious charlatan, political fraudster and fateful ancestor of 20th-century tyrants, but at the same time as a rebel against the idea of God and history enshrined in the Judaic tradition. The article views Żuławski’s interpretation as an attempt to appropriate certain elements of the history of religion to create an authoritarian vision of modernity and its historical roots, based on mechanisms of self-aggrandizement, sexualization of power and subversion of all hierarchies.