The article presents the first pioneering attempt to shape the architectural form in the mountains on the basis of traditional architecture and its further evolution to neoregional modern form. Important here is capitalizing on the tradition and the search for new meeting methods of mountain architecture. This evolution should take place at different levels of development - from research on the forms of the original, by drawing on traditional solutions and prospecting for new solutions. In this methodology became famous Cracow design school in the landscape under the direction of Prof. Włodzimierz Gruszczyński and generations of his students, who in later years, despite the difficulties emphasized the seriousness of the debate on items subject.
The essay presents an original application of using the coolhunting method to discover new trends in architecture and design. The ability to identify trends is tied in with the possibility of attaining an advantage over the competition with the use of new designs that can become hits on the market, gaining the favor of customers. The term coolhunting can be broadly defined as the pursuit of inspiration and the forecasting of the directions of development. Initially, the term was applied to fashion, but quickly spread to other spheres of activity, like music, the arts, lifestyle and finally, to architecture and design. The essay is a slightly altered and improved rendition of the author's article published in Zastosowania ergonomii. Wybrane kierunki badań ergonomicznych w roku 2014 . (ed. Charytonowicz J.), Publ. Polskie Towarzystwo Ergonomiczne PTErg, o/Wrocław, 2014, p. 289-304. The method outlined therein is the result of research conducted under the author's supervision at the Institute of Architecture and Spatial Planning of the Poznań University of Technology between the years 2012 and 2014.
Kabbalah and architecture, dealing with quite different domains, seem to have nothing in common. And yet they often intertwine, interact, and complement one another, sometimes leading to unexpected conclusions.
The article presents the architectural heritage created as a part of the Central Industrial District in the context of the need for its preservation and protection. Presented are selected topics and problems associated with the current technical condition of both industrial and residential buildings. The analysis contain also the impact of modern conservation doctrines and their ability to preserve works of COP’s architecture with the specific conditions of ownership, poor awareness of users and owners, and a large shortage of historical planning sources.
Architecture is a discipline combining aesthetics with technology. This paper is focusing on the relationship between aesthetics and energy efficiency in architecture with special interest in solar collectors and photovoltaic panels as technological equipment of the buildings. The paper takes into consideration the present situation and architectural development in northern Poland, with some input basing on European experiences. The paper defi nes aesthetics and effi ciency in the field of architectural design as well as the use of public and urban spaces. Authors present also some case studies regarding the use of solar panels in selected architectural examples. The paper ends with summary and some conclusions including the need for further research in the field of architectural design, technology and product design, as well as the perception of urbanised spaces and the important field of economic and financial factors connected to the topic.
The paper gives an evidence that construction of contemporary objects at the interface with the historic urban space, may be a way to renew and revitalize areas which require it. Such action may be a strong and valuable catalyst for the functional and visual transformation of a given fragment of urban space. It can also contribute to the increase of social activity within it. Research shows that public facilities from the turn of the 20th and 21st century, which were built using innovative architectural technologies and constructional solutions, are the buildings which provide great opportunities to contrast with historical architecture. This can be achieved due to their significant scale and rank in the urban space. The analyzes show that design based on the principle of contrast is the right solution for the degraded historic urban space. The replenishment of the old tissue should be carried out with the emphasis on the identity of the times in which we live, without creating architecture which could literally imitate historical objects or compete with them. Because of this contrast and diversity, new fragments of the city can become a counterweight or a valuable background to the existing historical tissue. Contemporary buildings located in a historical context are not only enhancing the values of cultural heritage but can also become a grateful element of the urban space and a strong accent of modernity and innovation in the city.
During the first fourteen years of transformation, 1989-2003, according to surveys by the author of the paper hereby, there have been erected in Kraków the twelve new churches. Author already published the result of survey depending the first six of therm. So herewith there are last six shrines described. The way of creating them is significant and characteristic for contemporary Polish architecture in general, and particular typical for the trend of a new ecclesiastic architecture. Itr is a special mixture of the tradition, hence completed with aesthetic of Late Modernism, Post-Modernism, and the newest incorporation of Modernism – of the XXI C.
The purpose of his paper is to present the modern or the artillery fortification as a special group of historical constructions with their determinants, as possible subjects of revitalization. The fortifications constitute a large group of architectural monuments in Poland. Because of their structural characteristics, they are objects diffi cult to maintain and manage, so they have remained in state of irreversible degradation for many decades. Due to the political and economic transformation in Poland, over recent decades the problem of chaotic and aggressive investment has arisen, which the fortifi cations are falling victims to. The text discusses the fortification as a part of the cultural heritage, the dichotomy between notions of “revitalization” and “revalorization”, and shows prospects of contemporary civil functioning and revitalization of the artillery fortifications.
In the article the question about the issue of beauty and energy in Polish architecture is considered in the context of experience in the design of buildings and housing estates collected in the last twenty years by the Warsaw studio Grupa 5 Architekci. The conceptual, urban and architectural assumptions are illustrated by three examples representative of different, key problem issues.
The article is an attempt to form the architectural and urbanistic analyze of the specific Baroque design technique, used for the façades of monumental buildings. For the first time this method was used in its Roman creations by Francesco Borromini. Hence, most often in the literature appears under the Italian designation parete ondulata. It was a difficult concept in both terms – architectural and aesthetic values. It required design skills and construction experience. Prediction of the ultimate effect of the impact inside the urban interior had to be based on an extensive knowledge of perspective or design experience. The spectators probably often did not understood the essence of the solution. This explains relatively small spread of the method in full its extent. Imitation was mostly limited to application of wavy line of cornices or whole façade, which currently in circulation awareness connects with the architecture of the Baroque. Such reception sometimes overrides all huge intellectual contribution of this era in the field of design. Relatively quickly this technique became widespread in other European countries, in which aclasical forms were adopted. The method of concave-convex elevation gave great opportunities not only in creating attractive architecture, but mainly to design urban interiors with a very sophisticated measures impact on the recipient.
The Parish Church of St Nicolaus at Byczyna in Silesia (German Pitschen) presents a most interesting, yet till now unknown example of a hall church from around 1300. It proves that the Silesian founders, as well as builders themselves, sought at the end of the 13th century for an suitable, attractive form of a representative town church. All up-to-date researchers treated the Byczyna church as an integral structure dating back to the end of the 14th century. It is most surprising, as it is more than evi- dent that we deal here with a much older building, which was only much rebuilt to the present shape at the end of the 14 th century. With no doubt, the church in question forms one of the most interesting architectural creations of around 1300 in Silesia. Its builder proved their knowledge of many important buildings in Austria and Moravia, especially of the Cathedral al Olomouc/Olmütz, which was near completion at that time. The short hall nave of the Byczyna church counts to the main trend of the parish churches in Silesia from the 2nd half of the 13th century. In turn, the single west tower was erected prob- ably according to the wish of its alleged founder, Henry the Third, duke of Głogów/Glogau. It reminded of the west tower of the Collegiate Church at Głogów, while the unique mason decoration in the Byczyna choir, which encompassed sculpted baldachins and vaulting shafts, was an allusion to the chancel of the aforementioned church at Głogów. The size and opulent articulation of the eastern part of the analysed building stressed the function of the church as a seat of an archpriest. Unfortu- nately the Byczyna choir, which was a unique structure in the Silesian architecture of around 1300, was later strongly rebuilt and lost its previous shape.
The article describes the idea of a compact city, due to the needs and capabilities of contemporary Polish cities, with an emphasis on the Silesia region. Special attention has been paid to the possibility of increasing the cities’ density and several examples have been shown to present the possibilities of densifying the cities with new housing investments. Also, the article presents the studies that indicate the capacity for the internal development of selected Silesian cities: Katowice and Gliwice. The article ends with the recommendations for cities to become more compact.
Identity in a housing environment is one of its resources as valuable as its water, air, flora and fauna. The readability of identity should be the basic factor of the quality of architecture and landscape architecture recognizable as a significant resource. It is an important factor which influences the living standard of people who inhabit a given space from a psychological, social and cultural point of view. In order to care for identity, we must be aware of it, of its role and significance in our lives and residence in a given environment. Man must understand the phenomenon of the meaning of life with respect to its space as his place in the world. When we understand the all-embracing rhythm and taste of the life of a place of residence, we will comprehend life itself.
The concept of civil society does not cease to attract the attention of the media and that of politicians. It is being discussed over and over and viewed from every angle: political, national, social. We can ask ourselves the important question the, what is its influence on architecture and the aesthetics of our immediate surroundings? How can converting the homo sapiens into a citizens change our landscape? If it can, what is so special about architectural and urban design in a civil society which makes it different from those that we have now? Can we describe the aesthetics of a civil society? And finally, what are the relations between being a citizen and architecture, aesthetics and the landscape?
Conservation of the Old Town Zamość began to realize almost a hundred years ago. Then the eminent preachers of culture in the early period. 20.year inter-made idea of restoring the prestige of the works of Polish culture. The idea of protecting national cultural heritage grew gradually until such time as the first scientific research, development of standards and principles of care and maintenance. Today Zamość was inscribed on the UNESCO World Cultural Heritage. Many things made, much remains to be done.
In the paper author discusses problems related to the leading role of architectural structures, as a part of the creating process within contemporary urban space. Architectural objects establish a continuous dialogue not only with their surrounding space, but also between each other. In this relation, the first plan comes with two factors, determining all spatial and functional solutions: the place in which a given project is localized and the time in which the urban designer came to the architect to create his plan. Based on the analysis of own projects and urban and architectural realizations, the author proves that the architectural dialogue in urban space must be respected in the context of the place and the time, but also in the creators moral responsibility. This responsibility is defined by consequences of design decisions not only for the urban space itself, but above all, for people and their coexistence with the space. For designers it reveals a necessity to comply principles of ethics and professing the value system in order to taking care of the urban space not only three-dimensional, but also “existential”.
Active acoustics offers potential benefits in music halls having acoustical short-comings and is a relatively inexpensive alternative to physical modifications of the enclosures. One critical benefit of active architecture is the controlled variability of acoustics. Although many improvements have been made over the last 60 years in the quality and usability of active acoustics, some problems still persist and the acceptance of this technology is advancing cautiously. McGill's Virtual Acoustic Technology (VAT) offers new solutions in the key areas of performance by focusing on the electroacoustic coupling between the existing room acoustics and the simulation acoustics. All control parameters of the active acoustics are implemented in the Space Builder engine by employing multichannel parallel mixing, routing, and processing. The virtual acoustic response is created using low-latency convolution and a three-way temporal segmentation of the measured impulse responses. This method facilitates a sooner release of the virtual room response and its radiation into the surrounding space. Field tests are currently underway at McGill University involving performing musicians and the audience in order to fully assess and quantify the benefits of this new approach in active acoustics.
Architecture created in Poland of 21st C. is somewhere a mode of selfpresentation, in another cases is a method of shouting down the others. It is also aomwhere talking without any thesis, instead with a large dose of a badly understood assertiveness. Whe should to built a clear architectural activity, more objectified, and tied with a contemporaneity. We should begin from the most basic rules, from the certain architectural grammar. The identity can be understood as a set of features, which e.g. let to distinguish architecture growing out in Poland, in contrary to architecture rooted somewhere elsewhere. Those are not always any formal features. In order to understand what a spirit of the place really is, e.g. in ancient Rome there was an idea of the watchman spirit. This spirit gives life to the people and to the places, accompany them since they a born until they are dead. It determines their character or the content.
Shaping a space shouldn’t be an endless expansion of the built environemnt. New districts and new cities should be more than collections of houses, quickly produced and placed without any overarching concept. They should present streets, squares, axes, directions, as features of the area's composition. An ordered space is a sign of true modernity.
The paper discusses acoustic problems in the contemporary Catholic church, and presents a study of the influence of the ceiling structure on acoustics in the interior for two types of ceiling structures, i.e. the truss type and the reinforced concrete one. The investigations involved six contemporary churches: three buildings with a truss type ceiling and three buildings with a reinforced concrete ceiling. The results reveal that in churches with a truss type ceiling, acoustic parameters reach values close to recommendations. In contrast, churches with a concrete ceiling create very unfavourable acoustic conditions. The investigations rendered it possible to calculate the sound absorption coefficient α for the truss type cover.
The octagonal tower of the ruined castle Ojców (southern Poland) is considered one of the most impressive foundations of king Kasimir III the Great (†1370). The purpose of this paper is to discuss the results of archaeological dig carried out in 2016 and to combine it with written evidence to form the basis for the reconstruction of its long-gone past. The tower is an octagon in plan, has 11.55 m in diameter and has walls that are ca. 2.7-2.8 m thick. On the inside it is round, 6.2 m in diameter. It was built of carefully processed hewn limestone set in lime mortar and what is important to note, it is the only known castle tower realisation of king Kasimir which was built on such blocks. On the other hand, the raw material used for building the tower has close affinities with church foundations of the king (e.g. in the collegiate church in Wiślica). Noteworthy, the fieldwork of 2016 provided rich assemblage of architectural details, including stylistically homogenous window or portal framings with characteristic pear-shaped mouldings and hollow-chamferred profiles, which likely relate to the earliest stages of the castle, perhaps already to the realisation of king Kasimir. There is a high degree of confidence that these elements were originally placed in the tower, and, if so, they determined rich and representative design of the whole structure. According to the author of the paper, there are strong indications that the impressive octagonal tower which is distinguished among the other contemporary defensive realisations by its building material, size and, possibly, a decor, was built as a commemorative realisation, given to honour the memory of the father of king Kasimir – Władysław the Elbow-high, who according to the local tradition, early in the 14th c. found a refuge in a cave located nearby (note the castle’s name: Oczecz − further Ojców − in Polish means Father). Last but not least, the archaeological dig brought to light the remains of an undefined building from the late 15th-mid 16th c. west from the tower, the remains of post-medieval (17th c.?) wall adjacent to the tower from the north, and some important stratigraphic observations, which allow to state that the octagonal structure witnessed some extensive restoration work in the second half of the 15th c.
The avant-garde is synonymous with the concept of New Art, the breakthrough in art which took place in the visual arts during the first decades of the 20th century in Russia and then in the USSR. Its representatives, determined by the changes brought about by new technical inventions, especially in the sphere of urbanization, were convinced, like the Italian futurists, that they would be at the foreground of social change, new perceptions and shaping of culture. They believed in the new society which would rend apart the class structure of previous ages when its place would be taken by dynamism and creativity in the service of utilitarian and egalitarian solutions. They believed in their mission, the Promethean idea of a new better world, when man- kind would be liberated from all subjection. This social mood was developing in the whole of Europe, but was particularly strong in Russian society in the last twenty years before World War I. In fact, one could say it was a prelude to the war. From this sequence of events came the conviction held by represen- tatives of New Art about their prophetic message of freedom. The actual reality, the advance of totalitarianism, was a bitter epilogue for the whole formation, for almost all the great artists of the avant-garde. Nevertheless, though rejected and often dying before their time, their works remained, suffused with enthusiasm for the new gravitation – belief in the greatness of mankind – in the new, universal idea.
Scientific research on urban and rural layouts should form an important element of studying the history of cities and villages, something which requires a coordination of multiple disciplines. One must make use of source material, yet be able to tell the difference between the source and its interpretation or critique. The importance of source material varies depending on the period and area in question. When investigating Early Medieval Poland, for instance, one should focus on geological and archeological sources. The later periods show a much larger wealth of written sources and accounts. Beginning from the period of founding cities based on German laws in the thirteenth and fourteenth centuries, city plans and cartographic sources are of increasing value, as they make it possible to perform modular analyses. The role of iconographic source material increases during from the modern period all the way to our times. The method of research here is the correlation of the information gained from these sources onto modern urban layouts. We can interpret the subsequent phases of development based on this. Using modular analysis we can then identify the historical and agricultural conditions of the time. This research should be conducted by a team of academics from various different fields. An example of such a cooperation is the Atlas Miast Polskich (The Atlas of Polish Cities).
The article presents the problem of the settlements development in the Ojców National Park (ONP) and its buffer zone, both located in the suburban area of Cracow (Poland). The aim of the research was to recognize the social perception of this phenomenon, as well as the residents opinion about the limitations in spatial management related to the functioning of the Park. Interviews were made among 204 residents, and 40 representatives of local self-governments, cultural institutions, associations, administrators of tourist facilities and entrepreneurs. The local community perceives constraints in the new buildings construction and in enlargement or modernization of the existing ones as the main problem for people living in the ONP or its buffer zone. Driven by their particular interests, residents advocate the further development of the settlements and tourist infrastructure within the Park and the buffer zone, the liberalization of regulations, and even the liquidation of the Park’s buffer zone. They do not understand that the natural and landscape values (highly appreciated by them) can be degraded due to these activities.