The paper discusses the method of the substitution by homophones that is extensively used in many fields in China, among others onomastics, such as toponymy or anthroponymy. The Chinese language has always contained a considerable number of homophones, i.e. words pronounced alike but spelt/written differently and having different meanings. The situation resulted from two main factors: the nature of the Chinese language and the sound changes to spoken Chinese language, i.e. a strong tendency to sound simplification. The method of the substitution by homophones is mainly aimed at reshaping already existing names by replacing their previous form, for some reasons unwanted. However, it is also broadly applied to create new names by using words which are homophonic with the words denoting the idea they symbolize. The paper presents some various reasons and aims of the use of the method in the domain of Chinese geographical names, and the more detailed analysis of its use in the changing of old street (hutong) names after 1949 in Beijing. The research material consists of 1,159 hutong names, and the names changed by the use of the method accounts for 23.5% of the total.
The paper presents the long-term project “Online Dictionary of Surnames in Germany” (“Digitales Familiennamenwörterbuch, DFD”), its conception, main objectives, and its technical realisation. By means of representative examples, the paper depicts how the project works along the categories of conflation, validation, specification or revision of etymologies so far proposed in standard references and the development of new ones. Exploiting new digital resources — especially with the help of new findings in surname geography, the surname stock can be captured and analysed all-encompassing and systematically. Surnames of foreign origin like English, French, Italian, Slavic, Baltic or Turkish are also considered. The importance of Slavic roots in German surnames is exemplified by the name Novak (‛new settler’) which ranks position 156 in the total frequency of German surnames. The article’s outlook discusses the importance and possibilities for future cooperation with surname projects in other countries like Poland, with a long-term perspective for a European network of surname dictionaries.
The authors discuss the main premises of the project “The most popular surnames in Poland — past and present. E-dictionary” which has been in development since July 2014 in IJP PAN in Krakow. They also present its basic aims and functions, progress already made and they compare it with other dictionaries of surnames. The authors describe several aspects of the dictionary related to IT and computers but also those concerned with onomastics and lexicography. Additionally, they pay particular attention to the information contained in specific parts of each entry.
The study aims to contribute to research on the onomastic-stylistic diversity of Polish prose in the late 20th century. In focus are those onomastic properties of literature that reveal connections between names and language in the process of creating non-mimetic, literary-style fiction. These properties also point to the nature of proper names as they function in a literary work of art — that work being a post-modern intellectual-literary game. The names used in the novel (anthroponyms, toponyms, chrematonyms, also zoonyms) mainly derive from the author’s linguistic creativity: they contribute to the world-view projected through the text. That world-view is “purposefully and totally unusual”, different from the real world.
This article looks at Professor Stanisław Jaworski’s contribution to the development of textual criticism in Poland. It was his book I write, therefore I am that offered Polish readers a comprehensive and erudite introduction to French genetic and textual criticism. Published in 1993, it set this enormously important critical movement in the broader perspective of cultural and literary anthropology. The second part of the article examines the impact of this book on Polish studies into the processes of text creation and the ‘avant-textes’. The third, final part surveys the late Professor Jaworski’s role in organizing conferences and stimulating debate on all aspects of genetic criticism.
This article looks at the key themes of Stanisław Jaworski’s memoir Którędy [Which way], published in 2018. They are embedded in a highly personal (autobiographical) idea of poetry with its recurrent motifs of return to childhood, the experience of loss of a beloved person and multifarious refl ections on the experience and poetics of oneirism.
This article contains a bilingual, Latin-Polish, edition of a letter written by Erasmus to John Sixtin (Ioannes Sixtinus), a Frisian student he met in England. In it Erasmus describes a dinner party at Oxford to which he was invited as an acclaimed poet. In the presence of John Colet, leader of English humanists, table talk turned into learned conversation. Erasmus’s contribution to the debate was an improvised fable (fabula) about Cain who, in order to become farmer, persuades the angel guarding Paradise to bring him some seeds from the Garden of Eden. His speech, a showpiece of rhetorical artfulness disguising a string of lies and spurious argument, is so effective that the angel decides to steal the seeds and thus betray God’s trust. Seen in the context of contemporary surge of interest in the art of rhetoric, Erasmus’ apocryphal spoof is an eloquent demonstration of the heuristic value of mythopoeia and the irresistible power of rhetoric.
This article deals with Janusz Makarczyk’s bestselling historical romance Jafar of Baghdad, first published in 1950. Makarczyk had a varied career as a journalist, travel writer of the ‘globtrotter school’, military officer, diplomat and academic; his deep involvement with the Middle East and Arab history began in the 1926 when he was sent to the Polish consulate in Jerusalem. The life of Jafar ibn Yahya provided him not only with enough material for a gripping story of love and romance but also a pretext for painting a broad canvas of historical events and personages. Addressed to younger readers, the book is didactic in the sense that it offers them basic information about Islam (e.g. the division between the sunni and the shia) as well as lots of facts about the Arab world at the peak of the Abbasid Age (e.g. Harun al-Rashid and the struggle for his succession; rise and fall of the powerful Barmakid family, Harun al-Rashid’s half-sister Abassa; the great Islamic jurists Malik ibn Anas, Muhammad al-Shaybani and Al-Shafi ‘i; an assortment of poets and scholars, including the translator Ibn al-Muqaffa). In addition to countless allusions to the Book of the Thousand Nights and One Night, the narrative is encrusted with explicit and covert quotes from the Qur’an, Arabic adages and proverbs (32), the poems of Abu-l-’Atahiya and Abu Nuwas. The writer is aware that the allusions and learned references need to be contextualized in a way that is functional and that their incorporation into the main text must be handled with maximum flexibility. The great popularity of Jafar of Baghdad in its time can be taken as proof that Makarczyk did succeed in bringing the two functions of his novel, the cognitive and the aesthetic – to instruct and to please – into a harmonious whole.
This article looks at a character of Jakub Frank, the 18th-century Jewish Messianic leader, in Andrzej Żuławski’s book of idiosyncratic essays Moliwda (published in 1994). Żuławski, a controversial fi lm-maker and writer, whose historic musings are usually focused on an individual who embodies the spirit of the age in this case turns his attention to Jakub Frank. Moliwda is typical of the early phase of Żuławski’s writing career characterized by a radically revisionist explorations of the Age of the Enlightenment in search for parallels with the modern age and his own life. Jakub Frank is presented as a trickster, religious charlatan, political fraudster and fateful ancestor of 20th-century tyrants, but at the same time as a rebel against the idea of God and history enshrined in the Judaic tradition. The article views Żuławski’s interpretation as an attempt to appropriate certain elements of the history of religion to create an authoritarian vision of modernity and its historical roots, based on mechanisms of self-aggrandizement, sexualization of power and subversion of all hierarchies.
Czarny Paryż [The Back Paris] is a crime novel written by Jolanta Fuchsówna, journalist and writer, and Jan Brzękowski, leading poet of the Cracow Avant-garde who lived in Paris, and serialized in the Cracow daily Ilustrowany Kurier Codzienny in 1932, but not published as a book. In this article two typescripts of the novel are analyzed and compared with the printed text, taking note of all the corrections and amendments introduced by the authors. An integral supplement to this textual study is an extract from Chapter XIII ‘A Party in the Studio of the Japanese Man’ reproduced in two versions, 1) with footnotes and modernized spelling, and 2) the original text from the typescript with all annotations.
This article analyses the transformative influence of Marcel Proust’s fiction on early works of Jarosław Iwaszkiewicz (1925–1927) in the light of the short story Nowa miłość [A New Love]. The article argues – on the basis of a reconstruction of the order in which Iwaszkiewicz read the volumes of In Search of Lost Time – that the date of its composition has be to revised and proceeds to explore the affinity between the two writers. The analyses, which draw on Harold Bloom’s infl uence theory, compare and contrast their handling of scenes and narratives, relations of analogy and visions of love. The article claims that Iwaszkiewicz was keen to enter into dialogue with the French author and adopted some of Proust’s techniques, yet without compromising his own creative autonomy. In the course of that dialogue he developed a notion of Proust’s literary art which, it is argued, provides the key to the interpretation of homoeroticism and narcissism in Nowa miłość.
This article presents a profi le of Stanisław Jaworski as a literary scholar with a life-long involvement in avant-garde literature. He defi nes the avant-garde as a mosaic of diverse trends with no common aesthetic or ideological denominator and, at the same time, as a transcultural network of artists apparently unrelated artists. Focusing on his major studies (Foundations of the Avant-garde, Tadeusz Peiper: Writer and Theoretician, Between the Avant-garde and Surrealism, and The Avant-garde) the article reconstructs Jaworski’s insights and theoretical constructs in the context of contemporary network studies and reassesses his commitment to both history and theory of literature.
Subsidence process in the rock mass disturbed by mining can be complicated and can be faster or slower depending on the geological structure and physical and mechanical properties of the rock mass, changes in exploitation geometry, and changes in the rate of exploitation. The most frequently, the subsidence process develops over years in a way that is difficult to observe over a short period (days). It has been proven in practice of coal mines in Poland that Knothe’s model describes subsidence process with high accuracy. It is based on treating the rock mass as a stochastic medium and describing subsidence with stochastic equations. It can be assumed that, the complicated stress field as a result of mining activities induce a series of displacements of different sizes in rock mass. The inelastic deformation in rock mass is accompanied by a microseismicity that can be recorded and processed. We assumed that seismic noise with weak seismic events is a low-energy part of the microseismicity. We proposed an analytical solution to examine the distribution of the energy of the seismic noise during subsidence process development based on Knothe’s model. In general a qualitative method of subsidence process assessment by the registration of the seismic noise was described.
Reconciliation between two copper ore mines transferred ore from one mine to another for processing in enrichment plants generated the need to regularly study the amount and composition of the ore on the conveyor connecting these two mines. To ensure the objectivity of the study, taking composite samples and their analysis was entrusted to a specialized outside laboratory. However, the managing staff of both mines still have doubts whether sampling results reflect correctly content of transported ore especially when the fed is highly variable. In order to investigate how the relatively low sampling rate affects the accuracy and precision of the measurement, the article investigates the hypothetical situation on the linking conveyor with the ore having extremely differentiated mineralization: 80% of almost barren rock (below 0.7% Cu) and 20% of the richly mineralized shale (around 10% Cu). Such ore occurs in some areas of the mine, from which it is fed onto a connecting conveyor. Through simulation techniques it was examined how the frequency of sampling can influence the distribution of the pooled sample results. It turned out that for 16 randomly selected samples in the following 15 minutes time intervals of a working shift, the spread of results around the simulated value is very large. A satisfactory accuracy level for the estimations of mean Cu content in the transported ore is achieved when the samples are collected at 30-second intervals. Only with sampling frequency close to on-line scanner parameters the probability of obtaining estimations with deviation exceeding 10% drops to the level of 2%. In the case of extremely differentiated ore doubts about confidence in the described measurements are fully confirmed, because with over 50% probability a single measurement could be deviated by 50% up and down from the true value.
Steel arch-rectangular support has a wide range of applications in Polish coal mines due to its asymmetrical shape. The frame has an arched outline on one side of the side wall, while on the opposite side it is rectangular. As a result, the support is ideal for securing set up room and recovery room. It can also be successfully used to secure three-way intersections of underground workings. To a large extent, however, the importance of these advantages is diminished by relatively low load-bearing parameters, resulting from a partially straight canopy, as well as the asymmetrical distribution of the load acting on the support in underground conditions. In order to ensure the proper and optimal operation of such frames, in addition to the standard requirements for roof supports, additional conditions must be met. The basic requirement is to support the end of the canopy on the corner of the excavation. This article presents examples of arch-rectangular supports, their applications as well as laboratory tests and strength analysis of the frames and its elements. These tests allowed the requirements regarding the construction of the frame, the selection of the support and the conditions of building in the excavation to be specified.