The increment in the number of automobiles and the densification of the city has increased noise pollution rates. In addition, the lack of regulation in Chile regarding the acoustic insulation of façades is a problem of a growing concern. The main objective of the present study was to obtain a model of the Sound Insulation of housing, façades, stratified in Santiago, Chile, based on constructive variables. It is expected to serve as a basis for one future regulation for acoustic façades of houses. In the present study, tests based on the international ISO 140-5 standard were carried out in situ. An estimation model of the Standardized Level Difference Dls,2m,nT,w + C, was obtained based on the opening/façade proportion, and the type of glass used for the windows.
The paper shows a study on the relationship between noise measures and sound quality (SQ) features that are related to annoyance caused by the traffic noise. First, a methodology to perform analyses related to the traffic noise annoyance is described including references to parameters of the assessment of road noise sources. Next, the measurement setup, location and results are presented along with the derived sound quality features. Then, statistical analyses are performed to compare the measurement results and sound quality features. The included conclusions are focused on showing that the obtained loudness values, regardless of the used system, are similar in a statistical sense. Contrarily, sharpness, roughness and fluctuation strength values differ for the tools employed.
The study makes an attempt to model a complete vibrating guitar including its non-linear features, specifically the tension-compression of truss rod and tension of strings. The purpose of such a model is to examine the influence of design parameters on tone. Most experimental studies are flawed by uncertainties introduced by materials and assembly of an instrument. Since numerical modelling of instruments allows for deterministic control over design parameters, a detailed numerical model of folk guitar was analysed and an experimental study was performed in order to simulate the excitation and measurement of guitar vibration. The virtual guitar was set up like a real guitar in a series of geometrically non-linear analyses. Balancing of strings and truss rod tension resulted in a realistic initial state of deformation, which affected the subsequent spectral analyses carried out after dynamic simulations. Design parameters of the guitar were freely manipulated without introducing unwanted uncertainties typical for experimental studies. The study highlights the importance of acoustic medium in numerical models.