In Nantes, the last shipyard closed in 1986 leaving the city in a desperate situation. The cranes, symbolizing the industrial activity, one by one stopped. Unemployment stroked. The question was between turning the page, tearing down the workshops and reinventing a new story or trying to preserve would appear to most of the population, a kind of modern bulky legacy. In the early 2000’s, the revitalization of Nantes’ former industrial area, led to developing a new way thinking. Instead of designing an urban map with major spots and rows of housing, A. Chemetoff thought better to draw an urban landscape where the past could mix with the future. The industrial heritage has been then preserved in two diff erent ways: construction halls have been reshaped preserving the original structure, everything should be reversed. The intangible heritage, meaning worker’s knowledge, has been reinvested in the cultural industry. This way, the image of the city, its brand, moved from industrial to cultural, attracting a new kind of business, mainly high-tech, students, in a new: “art de Vivre” (Art of living).
This paper presents the proposition of cartographic presentation of the movable cultural heritage on interactive map. The original solution on how to link movable monuments with geographical space as well as the different types of spatial reference were described. The text shows both: the way of presentation of single movable monuments and collections of historical objects. The proposed solutions were based on the assumption that the number of heritage resources shown on the map is huge and, what is more, they can keep growing. So, the proposed solution must be able to apply for a resource of indeterminate size. For the presentation of the movable heritage the traditional methods of cartographic presentation, as well as interactive technologies were applied.
In this work, simulation techniques have been implemented to study the sound fields of a multi-configurable performance enclosure by creating computer acoustic 3D-models for each room configuration. The digital models have been tuned by means of an iterative fitting procedure that uses the reverberation times measured on site for unoccupied conditions with the orchestra shell on the stage. The initial virtual acoustic model is validated by comparing the other monaural and binaural acoustic parameters measured in the room in terms of their perception differential threshold. The procedure is applied to the Maestranza Theatre of Seville, built for the Universal Exhibition in 1992. The spatial distribution of the acoustic parameters in the audience area of the venue by measured parameters and simulation mappings enables the establishment of three zones of acoustic comfort, and are corroborated by the values of the Ando-Beranek function which provide a global quality coefficient of each zone.
The revitalization of brownfi elds and post-industrial facilities is a long-term and multistage process. In the first stage of revitalization, it is important to assess the material, emotional and utilitarian value of the preserved cultural heritage. On the example of a revitalization project that has been ongoing since 1996, the former areas of the Gdańsk Shipyard, where the remains of the Imperial Shipyard and Schichau Shipyard are located, the process of formulating the value of the preserved cultural material heritage has been presented. The impact of this process on the subsequent stages of the revitalization of the Young City in Gdańsk was also presented. Gdańsk Shipyard is the cradle of Solidarity, so the emotional value associated with the events accompanying the creation of the Solidarity movement was considered to be the dominant one. Only two objects were entered in the register of monuments; BHP Hall and Solidarity Square (Plac Solidarności). When the Local Development Plan has been passed many investments have begun by various investors without comprehensive integrated activities. The demolition of the preserved halls and the dismantling of shipyard equipment began. This caused that in 2015 the uniqueness of the survived post-industrial complex, qualifying it for inclusion in the World Heritage list, was appreciated. In 2018, the Provincial Pomeranian Monument’s Conservator began the procedure of entry of the preserved objects to the register of monuments. This resulted in the suspension of all investments that commenced legally in the area covered by the proceedings. Lack of proper assessment of the cultural value of material heritage at the stage of preparing the revitalization process led to the loss of part of this heritage and caused increase of the investment activities risk in this area.
The text deals with the issue of “historical biography”. It aims to reconstruct the key concepts connected with the biographical publishing series “The Legacies of the progressive personalities of our past”. The text answers the question what conceptual framework surrounded and legitimised the edition.
This paper examines the conservation master plan prepared for in Beyoglu, Istanbul’s Galata Persembe Bazaar waterfront and its Genoese and Ottoman port heritage. This paper initially contains an analytical perspective. This perspective informs the analyses of the evolution of planning process on the conservation of the port heritage. The results of relations between port heritage and conservation planning works have come up for discussion. Spatial interventions on the Persembe Bazaar waterfront began in the 1980s by removing industrial and commercial buildings in the area. These interventions, made in the framework of wiping away the Halic (Golden Horn) waterfront created pressure for urban regeneration in areas with historical and cultural heritage assets like Persembe Bazaar. Major projects such as Galataport and Halicport on the waterfronts of the Halic and the Bosphorus have increased this pressure. Huge functional transformations on the waterfront are desired along with the Persembe Bazaar Conservation Master Plan, which conforms neither to the content nor the context of general conservation principles or Turkey’s conservation legislation. Its content includes no interventions compatible with the theme of “living in harbour cities” and should thus be criticized. The conservation of the tangible and intangible heritage of historical port features, the preservation and development of the service sector and trade in the area requires adopting a holistic understanding of conservation and taking historical features into account. Such an important port heritage site should not be seen as having only touristic functions. It should emphasize more local features for their daily use of local residents and businesses.
Selected issues of immovable monuments in planning documents, The work concerns selected issues of immovable monuments in planning documents of the communes: Bielice, Gryfino, Kołbaskowo, Stare Czarnowo i Widuchowa. The proceedings aimed at comparison of heritage and cultural landscape contents in: studies of conditions and directions of communes spatial development, the register of the National Heritage Board of Poland and the Spatial Development Plan of the Westpomeranian Region. This allowed to show inconcistencies in the aspect of cultural heritage in planning documents and to indicate good practices in the proces of caring for material cultural heritage.
In 1949 the first book of the Atlas of Polish Traditional Costumes series appeared. Józef Gajek was the one who initiated the series, published by Polish Folk Association to this day. He was associated with Polish Ethnographic Atlas, which had a great impact on the character of the series. Its main objective was to describe Polish traditional costumes according to particular regions. Janusz Kamocki and Barbara Bazielich were subsequent editors of the series. Since 2011 the authors of this article have been part of the editorial staff. At their initiative ten more books of the series were published in the years 2013–2018, field research on traditional handicraft was conducted and the Traditional Costume Section was established. The article describes the circumstances accompanying this editorial series appearance and discusses both main directions in research on traditional costumes and activities for popularising knowledge of this unique cultural phenomenon.
The presence of art in historic representative buildings is widespread and common. It is not surprising, therefore, that it is a frequent tool used in the transformation processes of these structures. A surprise, however, may be a situation where, instead of the art from the period of the creation of a given monument, the contemporary, multimedia or engaging the viewer cultural activities occur. Therefore, the key questions are the role of such forms of intervention in the historical representative interiors and the possibility of co-existing old and new. It is not without significance for objects under conservator’s protection that there are special requirements that the intervention must fulfill to be installed. The subject of considerations in this work are case studies of the application of contemporary multimedia art in the representative spaces of historical objects. The purpose of the article is to examine types of such artistic interventions resulting from the relationship between a work of art and exhibition space and their mutual influence.
Although the Council‘s declaration Nostra aetate has been absorbed by the magisterium, there are new challenges suggesting its acknowledgement and further development. The document’s significance resides in its foundation on Romans 9-11 and in the fact that it has been promulgated at all, in spite of enormous resistance in the years ahead. No. 528 from the Catechism of the Catholic Church rises up out of various official statements with respect to this topic: The three wise men from Jesus’ Epiphany are typical representatives of the pagan religions who have to turn to the Jews in order to receive “from them the messianic promise”. This insight corrects a romanticizing pluralism of religions as it becomes manifest in the terminology of the three “Abrahamic religions”. A further development of Nostra aetate should include two aspects: Overcoming the narrowing down of Judaism and Christianity as a “religion” without refeRence to realities like “the land”, and, secondly, deepening the theological understanding of the referral of Christianity towards Judaism, particularly in connection with the term “People of God”.
The study addresses the challenges facing the law of the sea. Although UNCLOS is rightly described as a constitution of the law of the sea, it does not and cannot give answers to all problems and doubts that arise in practice and that are related to global warming, protection of biodiversity, legal status of genetic resources, controversy concerning shipping, delimitation of areas or the protection of underwater cultural heritage. Hence the question arises, what the ways and means of further development of the law of the sea are. Undoubtedly, one of the possibilities is to develop implementation agreements, of which the third devoted to the protection and sustainable use of marine biodiversity outside national jurisdiction is the subject of an international conference convened by the General Assembly, whose resolutions in the area of the law of the sea play an important role. Undoubtedly, also the importance of the organization of the United Nations system, such as the IMO, FAO, UNESCO, UNEP is significant. There is also the possibility of accepting agreements addressing the issues left by UNCLOS without solution or definition. Not without significance is the soft law and the practice of states as well as the position of the organs appointed by UNCLOS.