The present paper is a case study of the U.S. Public Broadcasting Service (PBS) series: “The Italian Americans” (2015). It is argued that the series’ authors have aimed to deconstruct the anti-Italian stereotype, widespread in the United States. In exchange, they have proposed a new, positive image of the Italian community in America promoting the accomplishments of its prominent members. The entire PBS project, “The American Experience”, reflects an evolution of U.S. identity patterns from the homogeneous “melting pot” toward the diverse “salad bowl”, and hence – from monologue to polylogue.
Short ancestry of the modern citizen of Gdańsk encourages reflection of factors constituting his distinctness. Rapid exchange of population after the World War II disrupted the cultural continuity of Gdańsk society. Despite immense damage, material substance of the city, life environment of both former and new citizens of Gdańsk, turned out to be potentially the only significant bonding element for their identity. With time, the initial national narration was replaced with a favourable overview of the past, which had been previously suppressed and has been escaping the desirable scheme of the Polish identity. Gdańsk inhabitants were accompanied by the city landscape throughout the entire period of changes in consciousness. The landscape, which was erected from ruins in its most prominent attributes, which was undergoing constant spatial changes in the following years, supported the continuity of the emerging common city identity.